Don DeLillo – White Noise

white_noise.largeTitle: White Noise
Author: Don DeLillo
Year: 1985
Publisher: Viking Adult
Date Read: January 29, 2013

Goodreads Rating: ~ 7.5

My Rating: 6.5

By the time White Noise was published, Don DeLillo (1936 – ) was already an established author, with this novel being his ninth piece. The novel follows the life of Jack Gladney, who is the most renown professor of Hitler studies, and he lives with his family in College-on-the-Hill. He begins to have doubts regarding almost every aspect of his life, both professional and personal, and he makes attempts at improving his lot after a chemical spill releases its toxins into the atmosphere in the town.

DeLillo’s writing style in White Noise is not necessarily appealing. He does definitely demonstrate why he’s an acclaimed author, but it isn’t the dramatic tension felt by the reader or an attachment to the characters that draws someone in to this novel. Rather, it’s the plot path that DeLillo chooses to employ.

At the beginning of the novel, the reader becomes aware that something is amiss in Gladney’s college town on top of the fact that he does not get much fulfillment out of his life. Strange occurrences take place leading up to the chemical spill that serves as a major climactic moment part-way through the novel. If you read my review of Nick Hornby’s A Long Way Down, you will remember my opinion that the climax of the book takes place essentially immediately, and then it declines from there. White Noise does this in a sense, but DeLillo uses it to his advantage. He baits the reader in an interesting way and changes the focus of the novel. Perhaps it only appears to be a change of focus, when actually the reader was only paying attention to the minor details of a larger plot.

As I read this novel, I was under the growing impression that it would be some sort of fallout scenario. It is, in some aspects, but the chemical fiasco and clean up is only a background event both before and after it happens. A few dozen pages are devoted to how the Gladney’s family deals with the event, but it mainly serves as a catalyst to draw out the insecurities and doubts of every member of the family. DeLillo heightens the reader’s attention with the biohazard in the city, and redirects that attention to the mindset of the characters. The chemical spill doesn’t directly cause any immediate concern for the members of the Gladney family, but the threat of catastrophe causes long-standing problems to completely surface.

As I mentioned before, though, I was not very impressed with the actual writing style. I really enjoyed how DeLillo approached the overall plot of this novel, but not so much how he executed the narrative from page to page.

“The family is the cradle of the world’s misinformation. There must be something in family life that generates factual error.”

“Is it better to commit evil and attempt to balance it with an exalted act than to live a resolutely neutral life?”

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Kazuo Ishiguro – The Remains of the Day

9780679731726Title: The Remains of the Day
Author: Kazuo Ishiguro
Year: 1988
Publisher: Faber and Faber
Date Read: March 8, 2013

Goodreads Rating: ~ 8.0 / 10

My Rating: 8.5 / 10

The Remains of the Day, Kazuo Ishiguro’s (1954 – ) third novel, is impressively subtle in the way its plot unfolds. The reader is immediately introduced to the protagonist, James Stevens, who is frequently referred to as only Stevens. The entirety of the novel is told from his perspective, and Ishiguro demonstrates his full capability of drafting memorable characters through him. Stevens is the head butler of Darlington Hall, the previous residence of Lord Darlington, now under the ownership of a Mr. Farraday. Stevens, after noticing minute mistakes that he’s been making in his work routine at the manor, agrees to take a vacation to visit with a former coworker, Miss Kenton, or Mrs. Benn. The story frequently cuts back and forth between Stevens’ analysis of his current trip and recollections of his time spent serving Lord Darlington.

I initially thought that Stevens’ flashbacks were used to simply provide an in depth characterization of the butler, and I became more concerned as the novel progressed because little seemed to be happening in the present in the novel. I remember thinking to myself for almost half of my reading This novel is hardly progressing and is, instead, lingering in the memory of this character. However, after reaching a certain point, the actual intent of the plot line became much more clear, which is why Ishiguro’s style is so compelling. By understanding everything that Stevens values in his occupation, life, and personality through his recalling the past, the impact of singular events of his present journey become so much more significant. Stevens finally meets with Miss Keaton with only a few pages of the novel to spare, and, by this point, the reader is fully aware of why his identity and sense of purpose seemingly become shattered, or at least disassembled, in this encounter. 

Stevens explains what he values in a butler, and occasionally in any individual, in his defense of his father, his employer, and himself. The reader comes to sympathize with Stevens, especially considering how realistic and sensible the main character is. However, Stevens reveals how flawed his logic is – he tries to be as professional as he possibly can, at the cost of having any individual personality or opinion. He praises himself for the majority of the novel, claiming that his professionalism perhaps made him “dignified,” but as the novel advances, he feels the need to defend the actions of his former employer, Lord Darlington. In his defense, he comes to realize how futile the efforts of Lord Darlington were in regard to the reputation the Gentleman eventually received. Because of this, he questions whether or not he actually served his employer loyally – by not having any judgement of the man’s actions – and whether or not his life served any real purpose. All of these identity crises are catalyzed by the encounters that Stevens has on his trip, and especially so by his awaited encounter with Miss Keaton.

Ishiguro fantastically keeps the climactic series of realizations in the back burner of the reader’s mind, allowing him or her to make conclusions naturally, instead of force feeding every major plot point. The characterization in the novel is incredibly indicative of how a reader would expect an individual in each character’s position to behave. His subtle method of introducing ideas to the reader without overtly stating the purpose of each one is also very well done, making this novel a great process of discovery and disclosure. Ishiguro, in a telling narrative, shows the struggle between priding oneself in the professional world and maintaining a healthy personal life.

“I did perhaps display, in the face of everything, at least in some modest degree a ‘dignity’ worthy of someone like Mr Marshall – or come to that, my father. Indeed, why should I deny it? For all its sad associations, whenever I recall that evening today, I find I do so with a large sense of triumph.”

“It is essential, then, to keep one’s attention focused on the present; to guard against any complacency creeping in on account of what one may have achieved in the past.”

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